MACH 33 fosters compelling dialogues on scientific, mathematical, and technological questions by staging readings of new, unpublished plays by Los Angeles-area playwrights. The plays in the Festival offer artistic and very human experiences that capture our moral imagination and deepen public conversations and curiosity about science. The readings, by casts including Caltech students, faculty, staff, and other members of the Caltech/JPL/Huntington Library community, are open to the public and include post-show discussions with the playwrights.
Our first show of the season, “Two Degrees,” will be held on Earth Day, April 22, in Ramo Auditorium. Our second show of the season, “The Last Flight of the Mercenary,” will be held over Alumni Weekend on May 16th in the Theater Arts Lab behind the Theater Arts House, 275 S. Hill. Suggested donation $5 - $25. General admission. Wine and snacks available for purchase before the show. Stay for a post-show discussion with the playwright and our science mentors after each performance!
"Two Degrees" by Tira Palmquist, April 22, 8pm
Emma Phelps is a paleoclimatologist, focusing on ice in Greenland. In drilling and studying ice core samples, she sees first hand the symptoms of our changing planet. In addition to her growing sense of urgency for the planet, Emma is a recent widow. Now she's been asked to come to Washington D.C. to testify in a Senate Committee regarding climate change legislation, and in this intersection of science and politics, of politics and the personal, she finds more than just a little is breaking up under the strain of change.
Tira Palmquist's plays include Two Degrees, Ten Mile Lake, Age of Bees, And Then They Fell, and many others. Two Degrees, her newest play, was recently read at the 2015 Athena Project Festival in Denver. Tira teaches writing at UC Irvine and at the Orange County School of the Arts.
Director Joshua Wolf Coleman is known for his acting roles in the films Multiple, Mr. President, and Hidalgo and such TV shows as How To Get Away with Murder, Castle, Scandal, Parenthood, and Grey’s Anatomy. Josh performed the role of Clay in a reading of "Two Degrees" at The Road Theater.
Science mentor Jennifer Walker is an Environmental Science PhD student in the Simona Bordoni Research Group at Caltech. Her research focuses on the atmosphere and on the tropical monsoons which affect the water resources, agricultural productivity, and economic vitality of more than half the world’s population. Jennifer is also co-founder of Science & Engineering Policy at Caltech (SEPAC), a student organization which explores the roles of scientists and engineers in policy development.
At a bed and breakfast perched above the Saanich Inlet in British Columbia, a young woman’s plan to marry the perfect man is thrown off course when a physics professor constructs a time machine so that she may alter the circumstances of her future and discover what went wrong in her life. This is a play of science and love, Shakespeare, nights without stars, and the latest in quantum information theory.
Karen Howes’ written works include credits in television, documentary and stage. She is currently a member of Skylight Theater's PlayLab development group in Beverly Hills. As a journalist, Karen has written hundreds of magazine features on science and technology, which have been published throughout the world and translated into numerous languages.
Director Kathryn Bikle is well-known at Caltech for directing plays such as Major Barbara by George Bernard Shaw and The Tempest by William Shakespeare.
Science mentor Aidan Chatwin-Davies is a PhD student at Caltech in the Particle Theory Group where he works on problems where gravity, quantum information, and cosmology intersect. Aidan is particularly interested in the quantum nature of spacetime and what we can learn about fundamental physics from cosmology.
Tira Palmquist for her climate change play “Two Degrees.”
Karen Howes for her play “The Last Flight of the Mercenary,” about love and quantum information theory.
The "escape velocity" is the speed needed to "break free" from the gravitational attraction of a massive body. On the surface of Earth, escape velocity is about 11.2 kilometers per second, or approximately 33 times the speed of sound: MACH 33. Our name thus celebrates the innovative, dynamic breakthroughs that scientists and artists achieve.
Through our performances and post-show discussions, MACH 33 strives to:
MACH 33: The Festival of New Science-Driven Plays at Caltech is a project of Theater Arts at Caltech. Under the direction of Brian Brophy, Head of Theater Arts at Caltech, MACH 33 has grown out of a passion to bring together science and art at Caltech. Since 2007, Theater Arts at Caltech has helped develop exciting new plays such as God Particle Complex by Chris Bell and Josh Zeller, Mate by Lolly Ward, Tesla by Dan Duling, Out of Orbit by Jennifer Maisel, The Washing of the Water by Marcus Renner, and the trilogy of plays by George Morgan called Rocket Girl, Pasadena Babalon, and Capture the Sun.
Join us! Our staged readings are performed in the Hameetman Auditorium, The Cahill Center for Astrophysics, 1216 E. California Blvd. Tickets can be purchased at the door. Suggested donation $2 for students, $10 for all others. General admission. Wine and snacks available for purchase in the courtyard before the show. Stay for a post-show discussion after each performance!
They Promised Her the Moon by Laurel Ollstein, Saturday, May 3, 4pm
NASA 1960: Thirteen accomplished women pilots pass the grueling NASA tests for astronauts, and when LIFE magazine gets ahold of the story a few of the women shine as minor celebrities heading for space. Yet the MACHo culture of the NASA program resists. Vice President Lyndon Johnson even scribbles a memo, "Let's stop this now!" It would be twenty more years before Sally Ride blasts off in Challenger 3. They Promised Her the Moon tells the true story of one of these women – Jerrie Cobb – who for a short, thrilling time thought that she would be the first female astronaut in space. Award-winning actor and playwright Laurel Ollstein received the Faith Broome Playwright-in-Residence award at the University of Oklahoma, which commissioned and produced an earlier version of They Promised Her the Moon. They Promised Her the Moon will be directed by Brenda Varda, founding member and Artistic Director of Wordspace, a studio for writing classes, workshops, and events in Los Angeles.
Theory of Nothing by Lolly Ward, Saturday, May 10, 4pm
If Marie Curie stopped by your tree house, would you let her in? Tough-as-nails physicist Brit Swanson has been married to the well-known sculptor Chuck Swanson for over thirty years. The play begins as their son Max (a condensed matter physicist) and their daughter Sugar (a designer) return to their childhood home to pack up the house on the eve of their parents' divorce. But when the characters reveal shocking truths about themselves, the entire family is forced to confront questions of honesty, allegiance, and madness. In one wild night of discovery, complications of love and memory in multiple dimensions change their paths. Theory of Nothing is a visceral and exciting theater experience written by Lolly Ward, whose play Mate: The Untouchable Bobby Fischer premiered at Caltech in 2012, directed by Brian Brophy, Director of Theater Arts at Caltech. Her play 72 Objects is a 2014 semifinalist for the Eugene O'Neill National Playwrights Conference. Theory of Nothing will be directed by Arden Thomas, Executive Producer of MACH 33: The Festival of New Science-Driven Plays at Caltech.
Capture the Sun by George Morgan, Saturday, May 17, 3:30pm
An event for the Caltech Alumni Weekend
What if someone created a non-polluting form of energy that was cheap and inexhaustible? In 1989, Dr. Stanley Pons of the University of Utah and Dr. Martin Fleischmann of Cambridge claimed to have done exactly that. They invited journalists from around the world to a press conference in which they announced their discovery – a discovery the media soon began referring to as "cold fusion." After several highly respected universities began announcing successful replication of the Pons/Fleischmann experiment, all hell broke loose, and everyone everywhere began to believe that the Earth’s energy problems had been resolved forever. Through interviews and records provided by academic researchers – many from Caltech – George D. Morgan’s latest play shines a light on the dramatic story of two scientists whose rise to fame, and subsequent humiliation, was played out in front of the entire world. Capture the Sun will be directed by Brian Brophy, Director of Theater Arts at Caltech. Morgan's first two plays in his "Pasadena trilogy" – Rocket Girl and Pasadena Babalon – were also produced at Caltech under the direction of Brian Brophy.
Jennifer Maisel won the Wagner College 2014 Stanley Drama Award for Out of Orbit.
Chantal Bilodeau won the 2013 Woodward International Playwriting prize for Sila and her play was given a full production at the University of New Hampshire in February 2014. Sila had its professional world premiere at The Underground Railway Theater in April, 2014.
May 4, 2013
Tesla: A Radio Play for the Stage by Dan Duling
Directed by Michael Arabian
Tesla tells the story of Nikola Tesla's life as a brilliant but controversial inventor and futurist during the late-19th and early-20th century. The play is excitingly staged as a radio drama featuring live sound effects. Tesla's volatile relationship with Thomas Edison, his allegiance with George Westinghouse, and his confrontation with the power brokers of American business are recounted from the perspective of the possible implications of his work to national security.
Tesla was produced at the Pasadena Playhouse Mainstage where it sold out all 650 seats in the audience. Special guest stars included French Stewart ("Mom," "3rd from the Sun," Stoneface) as Tesla; Phil Proctor ("Big Brother," Toy Story) as Thomas Edison; and Sandra Tsing Loh (Caltech alum, host of "The Loh Down on Science," Contributing Editor at The Atlantic Monthly) as Katherine.The show also starred several members of the Caltech community: Dr. Ashley Stroupe (JPL Mars Rover Opportunity Driver); Steven Collins (JPL Mars Rover Curiosity Engineer); Peter Jones (Caltech alum); Diana St. James (Chair of Caltech Playreaders); and K. Zachary Abbott (The PhD Movie, Systems Administrator in the IMSS Department at Caltech). The radio drama was directed by acclaimed Los Angeles director Michael Arabian with live sound effects by the SFX artist Tony Palermo.
May 11, 2013
Out of Orbit by Jennifer Maisel
Directed by Ann K Lindsey
Out of Orbit tells the story of a Mars Rover Mission Specialist at Jet Propulsion Laboratory (JPL), played by Dr. Ashley Stroupe, a "real-life" JPL Mars Rover Driver. Can a brilliant scientist relate to a learning deficiency in her daughter? Can she keep up with her life on two different planets? LA-based playwright Jennifer Maisel has received numerous awards in American theater, was called one of Backstage's "favorite female playwrights," and was named by The Dramatis Magazine as one of their "Ones to Watch." Maisel is also a well-known writer for film and TV.
May 18, 2013
Sila by Chantal Bilodeau
Directed by Arden Thomas
Sila is a powerful, gripping, and poetic play about climate change and its consequences for the people and animals living in the Arctic Circle. Playwright Chantal Bilodeau is a New York-based playwright and translator who has embarked upon a writing project dealing with climate change called The Arctic Cycle—a six-play cycle that explores six regions of the Arctic: United States, Canada, Greenland, Iceland, Norway and Russia.
June 1, 2013
The Washing of the Water by Marcus Renner
Directed by Brian Brophy
The Washing of the Water is about issues of ecology and community in the Hahamonga Watershed Park and the Arroyo Seca waterways. "Dramatic writing depends on conflict," says playwright Marcus Renner, "but this play aims to bring Altadena, La Cañada- Flintridge, and Northwest Pasadena closer together." A Pasadena native, the playwright set out to write a play about the Arroyo Seco and Hahamongna Watershed Park. He studied the ecology of the park, read local history, and interviewed over 60 people to understand the issues current residents grapple with. Two years later, he had a play that weaves together the stories of an artist-activist, a homeless teenager, and a divorcing mother as they fight a polluted past and search for a fresh start amidst the wilds of the park.
God Particle Complex by Chris Bell and Josh Zeller
Rocket Girl by George D. Morgan
Pasadena Babalon by George D. Morgan
Mate: The Untouchable Bobby Fischer by Lolly Ward
The Department of Theater Arts at Caltech announces the call for submissions of new plays for its 4th annual festival of unpublished science-driven plays to take place in May of 2016.
MACH 33: The Festival of New Science-Driven Plays at Caltech fosters compelling dialogues on scientific, mathematical, and technological questions by staging readings of new, unpublished plays by Los Angeles-area playwrights. MACH 33 offers artistic and very human experiences that capture our moral imagination and deepen public conversations and curiosity about science. The readings, by casts including Caltech students, faculty, staff, and other members of the Caltech / JPL / Huntington Library community, are open to the public and include post-show discussions with the playwrights.
Since 2013, the Festival has included readings, talkbacks, and discussions of science- driven plays. Our cast and crews feature undergraduates, grad students, postdocs, professors, staff, and members of the Caltech/JPL/Huntington community. Our Festival playwrights have the opportunity to work with science mentors from Caltech or JPL to develop the science in their plays.
Submission process will begin July 1, 2015. Deadline for submission is October 1, 2015. Festival finalists will be notified by January 10, 2016.
Eligible submissions must meet the following criteria:
What does it mean to be "science-driven"? A science-driven play has a scientific, mathematical, or technological theme, and features some or all of the following elements:
Additional requirements for submission:
A panel of distinguished readers will choose the plays to be produced at the festival.
Past readers have included: