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Space,
Time and Event in Literature: Time and Time and Time Travel
by Diana Gabaldon published in The Journal of Transfigural Mathematics
copyright
© 1998 Diana Gabaldon. All rights reserved.
Time, Space...and
other things
There must be some
sort of cosmic convergence dealing with short pieces, because at the same time
all these short stories were happening (I dont want to give the impression
that I have been fiddling away my time doing nothing but short stories and not
writing novels--I have been writing novels, I assure you {g}-- its
just that these pieces all cropped up within the last year) I was invited to contribute
an essay to The Journal of Transfigural Mathematics, for their special
issue on Space, Time, and Event in Literature.
Been a long time
since I wrote a scholarly--or even quasi-scholarly--piece, and I sort of wanted
to see if I could still do it. {g} So I did.
Figuring that most
readers would not have easy access to the JTM, Ive included the piece
in The Outlandish Companion--but an excerpt from it, dealing with the Gabaldon
Theory of Time Travel, is presented below:
Introduction
Time is, time was,
time will be--at least in terms of literature. What were usually talking
about when we say literature, of course, is fiction, which essentially
means telling stories. Good nonfiction can be literature, too--but
the kind of nonfiction that makes literature is always told in the form of a story;
its only the factual basis that makes a distinction. So what makes a story?
Well, the absolute
essence of story is -- And then what happened? Obviously,
the important words here are happened, (event) and then
(time). Then implies an impetus, but more often indicates causality
than direction; stories are often linear, but not invariably so (even when they
are linear, they may be rectilinear, curvilinear, perpendicular, or told
with a Moebius twist). The bottom line is that in a story, Something happened
because Something Else happened. Or happens. Or will happen. But when?
Well, that depends.
There are two kinds
of time in general human experience; objective time and subjective time. There
is a real physical basis for objective time, expressed not merely as an artificial
standard of minutes or hours, but in terms of circadian rhythms, photoperiodicity,
seasonal progression, atomic decay, and so on. Because of this physical basis,
people are aware of objective time, though often in an semiconscious or unconscious
way. Reading, on the other hand, is always a conscious act (yes, even if its
Moby Dick or The Scarlet Letter; you have to stay awake to turn
the pages), but time is almost always expressed in literature in the same way
in which its most frequently experienced by people--subjectively.
On the other hand,
as I said above, stories that involve free choice on the part of the protagonists
are both more interesting to write, and much more likely to be attractive to readers.
In this particular time and culture, the idea that we do have individual power
over our own destinies is not only widely accepted but highly desirable (the fiction
of other times and cultures naturally may--and does--reflect different notions
of individual power). How to deal with these opposing choices, then? Thats
a decision for an individual writer; for myself, I decided to have it both ways--to
allow free choice, but not to change major historical events (ah, what it is to
be a godlike Writer!). The Gabaldon Theory of Time Travel depends on this central
postulate:
A time-traveler
has free choice and individual power of action; however, he or she has no more
power of action than is allowed by the travelers circumstances.
A necessary corollary
to this postulate does not deal with time travel at all, but only with the observed
nature of historical events:
Most notable
historical events (those affecting large numbers of people and thus likely to
be recorded) are the result of the collective actions of many people.
There are exceptions
to this corollary, of course: political assassination, which affects a great many
people, but can be carried out by a single individual; scientific discovery, geographical
exploration, commercial invention, etc. Still, the effects of events such as these
depend in large part on the circumstances in which they take place; many scientific
discoveries have been made--and lost--a number of times, before reaching general
acceptance or social relevance.
Thus, the notion
that knowledge is power is not absolutely true--knowledge is power only
to the extent that circumstances allow that knowledge to be used. That is, if
a time-traveler arrives in a society where he or she is merely a normal citizen,
then the traveler has relatively little power to affect social events. Madame
X arrives in Paris on the eve of the French Revolution, for instance. If Madame
X is in fact merely a time-traveler, and is not taking the place of an extant
citizen, then she is not an aristocrat, has no connections among the powers of
the Revolution, and is thus in no position to affect the overall course of the
Revolution.
Even if she should
somehow gain access to the Petit Trianon, scrape acquaintance with the Queen,
and hint that it would be injudicious to make remarks regarding cake...the French
Revolution was a complex social phenomenon, emerging from the results of years--centuries!--of
actions taken and not taken by hundreds and thousands of people. Madame X very
likely can not take any individual action that would succeed in preventing
the Revolution as a whole; that is/was a social event of such complexity that
control of it is simply beyond the scope of any individual.
Madame X does,
however, retain the power that any individual of that time has; she can
warn a friend that it would be wise to leave Paris, for instance. If he listens,
she may indeed save his life--and thus change history (but not recorded
history).
To illustrate a
bit further, consider the hypothetical situation that you yourself are a time-traveler
from some future time, and know that the President of the United States will be
assassinated on a specific date--next week, say. Always assuming that one wants
to prevent this...what, exactly, would you do? You arent a government official,
you know no one in power. You are, in fact, pretty much the way you are now, in
terms of social position; a private citizen, outwardly respectable, but with no
particular access to power. So how do you prevent the assassination--exactly?
Do you telephone
the FBI and state that an attempt will be made on the Presidents life? Imagine
doing this, and then imagine what the response would be.
Do you arrange
to be on the spot of the anticipated assassination, with the intent of foiling
the assassin? Imagine the crowd outside a hotel, people pushing and shoving. Even
if you know beyond doubt where the assassin will come from and what he looks like--are
you willing either to shoot him (and then try to explain to the Secret Service
just why you did this) or to throw your body between the assassin and his target?
You begin to see
the problem here. Specialized knowledge doesnt necessarily give you the
means of using it to effect. Warnings will have no effect at all, unless the person
you are warning believes that you are a time-traveler, which is probably
not a bet with good odds (take a minute to imagine just how you would convince
someone that you are really a time-traveler, rather than a TV personality, a Microsoft
programmer, or a raving nut). Direct action--if its possible at all--will
involve you in precisely the same risk that would apply to a citizen of the time
in which you find yourself.
Ergo, a time-traveler
can exercise free choice, and can effect small-scale, personal changes in the
past--such as advising a friend to plant potatoes, thus averting the consequences
of an anticipated famine. However, because large social events are usually the
effect of the cumulative actions of large numbers of people, the time-traveler
most likely cannot make a change in larger, well-documented historical events.
Ergo, from a story
point of view, we preserve the philosophical and fictional advantages of free
choice, without incurring the cognitive dissonance associated with changing history,
as perceived by the reader.
Time is, time was,
time will be--but when? Well, that depends.
[to be published
in The Journal of Transfigural Mathematics--or maybe it already has been.
Sorry, I dont know the volume reference for it.]
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